WOLF TOTEM depicts the dying culture of the Mongols.

And parallel extinction of the animal they believe to be sacred. A must watch film while you are on a #StayAtHome order.

The following is a review of the film WOLF TOTEM

A New York Times review By Ben KenigsbergIn “Wolf Totem,” the French director Jean-Jacques Annaud, no stranger to animals (“The Bear”) or turbulent Chinese history (“Seven Years in Tibet”), adapts a novel that grew into a controversial phenomenon in China. The book, written by a Beijing professor, Lu Jiamin, under the pseudonym Jiang Rong, was second in circulation only to Mao’s little red book, according to a 2008 review in The New York Times.

The novel was received as a critique of Chinese modernization and environmental policies. The film, a Chinese production, reaches the screen with at least some sensitive material omitted. Characters seem carved from a much larger narrative. The landscape and painstakingly trained wolves are the true stars.

A still from “Wolf Totem.”Columbia Pictures

The story concerns Chen Zhen (Feng Shaofeng), a student who travels from Beijing to Inner Mongolia to teach during the Cultural Revolution. Entranced with the wolves there — whose behavior inspired Genghis Khan, the village leader tells him — Chen Zhen adopts a cub and raises it, sparing it from the orders of his superior, who wants the wolves culled.

In its tale of an outsider acclimating to a vanishing way of life, “Wolf Totem” sometimes recalls another sentimental wolf movie (the one in which Kevin Costner dances with them). But the work with actual animals offers an increasingly rare pleasure. Mr. Annaud makes subtle use of 3-D to highlight the crags and grasslands, aided by a swirling score from James Horner, who died in June.

Wolf Totem Movie Poster

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